The sound of your voice, by Carol Fleming
Par NeSto le mercredi, décembre 5 2007, 12:02 - Sorties & Culture - Lien permanent
Goal: Analyze the impact of your voice image. Help you get started listening to your voice.
We need a speaking tape containing:
- Your half of a phone call
- A minute of you speaking about anything to somebody
| Speech characteristic | What to listen for | How to improve it |
|---|---|---|
| Vocal vitality (tape 2) | Are your sentences monotonous? Do they tend to peter out at the end? Are you just *too* aggressive, too punchy, or too loud? | Monotonous: Introduce melody in your speech, exaggerate the variations Fading: develop an awareness of the final words. Keep the breath support to the end. Copy sentences of your current usage. Too fast: Change your lifestyle. Read in a slow tempo, then continue speaking with this rhythm and tape-record yourself. |
| Gender and regional characteristics (tape 2 and 3) | Mumbled or monotonous speech. Factual statements that end up in an upward pitch. | Mumblers: Observe how well-trained speakers move their mouth when speaking. Compare with yourself in a mirror. Factual statements: Work on intonation and downward pitch. |
| Vocal hygiene (tape 3) | Extra noises in the tone, difficulty speaking. Glottal fry. | Seek professional help |
| Filler sounds (tape 4) | Repetition of empty words and phrases. Repetition of ehms or lip smacks. Overuse of superlatives and intensifiers. | Take your bad habit into the conscious domain. Isolate an example; repeat the bad habit ten times consciously; practice the desirable pattern. When you catch yourself doing it in a normal situation, stop and start over again. |
| Fronting (tape 5) | Projection. Is the sound produced in the front or your mouth? | Create sensation patterns for more projected patterns Mi-May-Mooh-Maaa Chewing exercise: Aaaaa-Mniaaaaa-Mniaaaa |
| Tonal range (tape 6) | Can you go down 4 notes and up 6 notes from your modal pitch? | Find your modal pitch = the pitch with which you spontaneously begin a new sentence. Practice intonation |
| Articulation and tonal support (tape 6) | Can I really understand what I say on the tape? Clarity of the speech. Melody. Staccato or legado? | Chewing exercise. Practice tonal support, let words glide through, linked together. Uninterrupted stream from your diaphragm until it reaches the front of your mouth. No glottal attack. |
| Compelling vocal image (tape 7) | Simple declarative statements with pauses or box-carring? Choice of vocabulary: flat and vague words or precise and clear language? | Elaborate on a simple word (ex.: toast) with simple declarative sentences. Use colorfoul and precise vocabulary to capture the interest of the audience. Insert silence to make the speech more powerful. |
| Posture (tape 8) | Good posture? Straight head that projects the sound forward, relaxed shoulders. | Stand up straight, put a book on your head and look in the mirror. |
Other citations
- Until recently (1960's), we hadn't any way to objectively hear how we sound.
- “The way you communicate is your personality, as far as the world is concerned.”
- Some characteristics of a powerful voice: projection, resonance, fluency, intonation
- “Any relationship you have with somebody is the communication which you have with that person.”
"The 3 great truths"
- "Whenever you attempt to change the way you talk, the new pattern that you want will feel phony, unnatural, and just playing weird."
- "Only actual practice will change the way you talk."
- "There is no automatic transfer of your practice into normal conversations. There is only gradual incorporation with constant effort."
Commentaires
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